123,123

內(nèi)容簡(jiǎn)介

　　本書收錄已故作家汪曾祺先生談藝論文的文章49題，或泛論文學(xué)創(chuàng)作與語言的基本問題，或自述創(chuàng)作經(jīng)驗(yàn)之甘苦得失，或評(píng)論沈從文等作家、作品，由于作者自己以小說、散文、戲劇創(chuàng)作我家，自不同于學(xué)者之閉門論道或評(píng)論家之肆口空談，而多了一份體貼，當(dāng)行特點(diǎn)，故其見解更足珍視。討論沈從文及其作品一輯，因?yàn)閹熒Y(jié)緣數(shù)十年，更多持平中肯之論，當(dāng)?shù)闷稹爸苏撌馈钡墓耪Z。本書前言這個(gè)女孩是死了親人，帶著孝的。她當(dāng)時(shí)在做什么？據(jù)劉一友說，是在“起水”。金介南說是“告廟”。“起水”是湘西風(fēng)俗，嶗山未必有?！案鎻R”可能性較大。沈先生在寫給三姐的信中提到“報(bào)廟”，當(dāng)即“告廟”。金文是經(jīng)過翻譯的，“報(bào)”、“告”大概是一回事。我聽沈先生說，是和三姐在汽車?yán)锟吹降?。?dāng)時(shí)沈先生對(duì)三姐說：“這個(gè)，我可以幫你寫一個(gè)小說。”特色及評(píng)論文章節(jié)選

作者簡(jiǎn)介

　　汪曾祺（192O～1997）現(xiàn)、當(dāng)代作家。江蘇高郵人。1939年考入昆明西南聯(lián)合大學(xué)中文系，深受教寫作課的沈從文的影響。1940年開始發(fā)表小說。 1943年大學(xué)畢業(yè)后在昆明、上海任中學(xué)國文教員和歷史博物館職員。1946年起在《文學(xué)雜志》、《文藝復(fù)興》和《文藝春秋》上發(fā)表《戴車匠》、《復(fù)仇》、《綠貓》、《雞鴨名家》等短篇小說，引起文壇注目。1950年后在北京文聯(lián)、中國民間文學(xué)研究會(huì)工作，編輯《北京文藝》和《民間文學(xué)》等刊物。1962年調(diào)北京京劇團(tuán)（后改北京京劇院）任編劇。著有小說集《邂逅集》、《羊舍的夜晚》、《汪曾祺短篇小說選》、《晚飯花集》、《寂寞與溫暖》、《茱萸集》，散文集《蒲橋集》、《塔上隨筆》，文學(xué)評(píng)論集《晚翠文談》，以及《汪曾祺自選集》等。另有一些京劇劇本。短篇《受戒》和《大淖記事》是他的獲獎(jiǎng)小說。作品被譯成多種文字介紹到國外。他以散文筆調(diào)寫小說，寫出了家鄉(xiāng)五行八作的見聞和風(fēng)物人情、習(xí)俗民風(fēng)，富于地方特色。作品在疏放中透出凝重，于平淡中顯現(xiàn)奇崛，情韻靈動(dòng)淡遠(yuǎn)，風(fēng)致清逸秀異。

圖書目錄

小引
美在眾人反應(yīng)中·······························1
美――生命·······························4
使這個(gè)世界更詩化·······························10
傳統(tǒng)文化對(duì)中國當(dāng)代文學(xué)創(chuàng)作的影響·······························14
回到現(xiàn)實(shí)主義，回到民族傳統(tǒng)·······························21
小說筆談·······························25
小說的散文化·······························32
小說的思想和語言·······························37
一種小說·······························49
小說陳言·······························57
談風(fēng)格·······························63
談散文·······························72
散文應(yīng)是精品·······························75
談?wù)勲s書·······························77
思想、語言、結(jié)構(gòu)·······························79
學(xué)話常談·······························92
語文短簡(jiǎn)·······························97
“揉面” ·······························101
中國戲曲和小說的血緣關(guān)系·······························117
京劇杞言·······························122
淺處見才·······························129
一個(gè)愛國的作家·······························143
星斗其文，赤子其人·······························146

與友人談沈從文·······························158
沈從文的寂寞·······························177
沈從文和他的《邊城》·······························195
又讀《邊城》·······························214
讀《蕭蕭》·······························223
沈從文轉(zhuǎn)業(yè)之謎·······························231
萬壽宮丁丁響（代序）·······························239
人之所以為人·······························244
阿索林是古怪的·······························251
我是一個(gè)中國人·······························253
自報(bào)家門·······························259
兩棲雜述·······························274
撿石子兒（代序）·······························283
文集自序·······························292
《汪曾祺自選集》·······························298
《汪曾祺短篇小說選》自序·······························304
《汪曾祺小品》自序·······························307
《蒲橋集》自序·······························310
《蒲橋集》再版后記·······························313
《市井小說選》序·······························317
《蒲深處》自序·······························321
《晚飯花集》自序·······························325
《短紙集》題記·······························332
《晚翠文談》自序·······························334
《大記事》是怎樣寫出來的·······························339
關(guān)于《受戒》·······························347